So
Much Is Lost
Last week you took away my
father’s photographs
of Nagasaki, the coins he
brought home from Japan
in 1947, the paper money,
improbably printed
in English, labeled by the
bank of Imperial Japan,
that I taped together to make
a garland
in 1967, when I believed in a
world of peace,
before 1968, assassinations,
and a war for my own
generation in a far off
place. My son, expert
on the history of Atari, of
Namco, of Bally Midway,
Pac-Man, Nintendo,
Intellivision, Playstation, Sony,
of arcade arts, of shooting
games. You will be living
there, in the country that
boy touched. Want me
to come see you in an
odd-numbered month
so we can see Sumo? Will you
show me Kyoto?
And Hiroshima? Cherry
blossoms, and the museum
of the bomb. Here, we’ve
found a match—a temple
in a black and white photo,
in your grandfather’s journal,
brilliantly painted, crisply
in focus, on your phone.
Pediatrician Kelley White
worked in inner city Philadelphia and now works in rural New Hampshire. Her
poems have appeared in journals including Exquisite Corpse, Rattle and JAMA.
Her most recent books are Toxic Environment (Boston Poet Press) and Two
Birds in Flame (Beech River Books.) She received a 2008 Pennsylvania
Council on the Arts grant.
Thanks for sharing this Kelley
ReplyDeleteSuch an interesting poem; one I keep returning to! Enjoyed the focus of its conclusion. Best wishes Kelley, Ralph.
ReplyDelete